Stuff!

Sep. 29th, 2011 11:35 am
lydamorehouse: (Default)
Okay, lots to report. First of all, for those of you following along on the "all that crap" keyword, (aka, my father's lingering struggle with a number of health issues), there is FINALLY good news to report. He is at the recovery wing of the nursing home again, having been given a clean bill of health from the doctors at the hospital. Though they're still not entirely sure what what caused his mini-strokes (TIA), they think it has to do with heart arthythmia that he developed after the hip replacement surgery. Also, I need to post a correction: apparently, he (thankfully!) only suffered TWO mini-strokes, the first one that had everyone worried because it lasted several hours, and a second that lasted no more than a minute or so. At any rate, the good news is the docs sent him on for recovery and now he only has to focus on re-learning how to walk after six months of near-inactivity (though they always worked to keep his leg strength up during his previous nursing home stays.)

Secondly, I attended a "breaking" workshop at KSW. I failed to break my board. I was one of only two adults unable to do it. I suspect, considering the bruises that have developed and where they are on my hand, my technique was off. (Also, huge mental block: I kept thinking -- I have no health insurance; if I do this wrong and break a knuckle, no only have I messed up my writing career, I have bankrupted my family.) This experience has made me convinced that I was a T-Rex in a past life: I'm viscious, but have _zero_ upper body strength. ;-)

I should also say, I had no problem breaking the practice boards. Just confronted with a solid piece of wood freaked me out.

Everyone was so very sweet and concerned for my ego at the workshop. Though my hand is bruised, my ego is not, my friends. Master Barry Harmon (Kwan Jang Nim) made a point of pulling me aside and telling me that a) I had a lot to work on, and b) that he was proud that I never gave up. I said something self-depricating at the time, but I wish I'd told him what I said to Nicki (Jo Kyo Nim) when she asked me to consider why I do Kuk Sool Wan, and that is, "I do this because it's fun, Master, and giving up *isn't* fun."

The other news is that my psuedonym continues to be successful as all get out. Tate can report that you can now not only pre-order the mass-market paperback edition of Tall, Dark & Dead via Amazon.com, but also the third, and final novel in the vampire princess of St. Paul series, Almost Everything.

So, I guess that's all I got for now. I have to run off to volunteer because it's Thursday!
lydamorehouse: (Default)
I posted this elsewhere, but I should also let y'all know that I had a conversation with my agent earlier this week and she let me know that Penguin has turned down my proposals for more Ana books (that would be Tate's Vampire Princess of St. Paul books.) So, the final installment will be ALMOST EVERYTHING, which is coming to a store near you in February of 2012.

What is ironic about this, is that I was actually really starting to get into them. In fact, I remember telling Shawn after I finished the proposals, "I sort of want to write these. A lot. That means they won't sell, you know."

I hate being right about things like this. :-)

But, all is not lost. I'm still hard at work on Tate's newest book, which may or may not be the beginning of another series, called PRECINCT 13. It was actually supposed to be turned in by now, but I had a series of unforunate events, not the least of which was the massive computer crash in which I lost everything I'd written on it to-date. I'm on schedule to have the book turned in early October. Fingers crossed.

Every time I think I should feel depressed about things like this, I tend, instead, to consider how amazingly lucky I've been so far. Once again, I have a book under contract when they've said no, so it isn't quite as scary as a "no" hanging there in the empty space between contracts. There continues to be a possiblity that PRECINCT 13 could take off like wildfire and my career at Penguin could continue for several more years.

Though I said something else the other day that unnerves me. I was talking to Eleanor or perhaps [livejournal.com profile] naomikritzer and I said, "I'm really getting into this book now... that probably means it's doomed."

I should say this all started because my favorite of the AngeLINK books is MESSIAH NODE, which was the first to be remaindered and the only one of my novels not to get any kind of award nod at ALL (it was the only of the four not to get picked as a "Critic's Choice" for SF by Romantic Times, even.) In other words, my favorite was the least appreciated by critics -- and, given the numbers that caused it to be taken out of print, the public as well. Ever since then I've decided that if I really, really love writing a book or I think of it as some of my best work, it's likely to perform the crappiest.

The other lucky thing about the Ana news is that I had seen the writing on the wall for once. I actually wrote ALMOST EVERYTHING so that it could be a satisfying conculsion to the series, if necessary. Before you think that I probably shot myself in the foot by doing that, I also made it EXTREMELY clear to my editor that my plan was to have a series of triolgies that would wrap up nicely every third book. The next set was going to be "the vampire queen of St. Paul" series, then "Empress" and then... perhaps, "Goddess."

But, alas, I must say goodbye to those plans.

Weirdly, Tate continues to be more successful than I ever was. Tall, Dark & Dead, in particular, seems to be somewhat unstoppable. Not only did it make money for me when we sold German rights, but I actually got a royalty check from the German publisher, which means it earned out its advance there. The book is still on schedule to have a paperback edition come out in April of 2012 here in the US. TD&D actually defies my Bizzaro World axiom. I like that book and remember enjoying writing it, though it's a book I wrote in record time (six months).

Well, I should go off and continue writing about dragon sex.
lydamorehouse: (Default)
This fall has been snuggly for me. Sometimes when the weather turns chilly and such, I get super-energized and get a ton of projects done... this year has been much more about hiding under the blankets with a cat on my lap. Luckily, the thing I need to get done the most (editorial revisions for ALMOST FINAL CURTAIN) can be done in such a position. I've been working slowly on that, though, which I think may be a good thing. Usually, I rush through editorial changes and only re-read the part of the book that the editor has specifically pointed to as needing work. This time I'm re-reading the whole thing and re-working things I normally don't even pause to look at. Consequentally, I think this will be a much stronger revision than I've done for a long time (on a book, coincidentally, that I like a lot.... which probably means it will be the first to go out of print.)

Speaking of out of print, I went looking to buy a copy of Archangel Protocol from my Japanese Publishe because one of my Facebook penpals is learning Japanese and I thought it would be a nice surprise to send her a copy. To my dismay I discovered that my book seems to be out-of-print from them as well.



This discovery made me unaccountably sad. I mean, as Tate Hallaway, I have a plethora of books in print in a handfull of other languages (granted many of the foregin sales have actually been for the anthology MANY BLOODY RETURNS,) but there was just something depressing about the fact that as me, Lyda Morehouse, I completely failed to stay in print anywhere in the world.

Okay, okay, I know that's silly, especially with a new book coming out from Mad Norwegian in March 2011, but, I think it's about all the shiny hope you have as a new writer. Archangel Protocol was my baby, and I had a lot of hope that it would be the kind of book that would, well, okay, in my wildest fantasies (and everyone has them, admit it,) that would make me the next J. K. Rowling, you know? Or at least land me a spot on the NYTimes bestseller list. And, the book did REALLY WELL, but it just didn't become that smash hit me (or my publisher) wanted.

I should be happy, and I am, that I'm still managing to make a living (mostly) as a writer. Tate Hallaway continues to do really well. In fact, I just heard from my publisher that her newest, ALMOST TO DIE FOR, has been picked up by a Russian publisher, which is super-cool, because I have a very small hope of actually being able to parse out my name on the cover as I took exactly one semester of Russian in college twenty-odd years ago.

I guess I'm just feeling jealous of my psuedonym again. This happens every once and a while and it's an incredibly odd sensation. I totally hate that b*tch. ;-)

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