lydamorehouse: (Default)

A very unstable LEGO gummie tractor made from a packet picked up at con
Image: A very unstable LEGO gummie tractor made from a packet picked up at Minicon (GPS room)

My second (and last, as it happens,) day at MInicon was a real mixed bag and I am, in fact, still sorting out a lot of how I feel about it. As I noted in the previous post, most of my panels (4 out of 5) felt no better than 'meh,' with at least two of them sinking to 'is this an unmitigated diaster??? I think this might be a disaster!!' in my book.

But, it's possible that my standards out of whack. And, at least one person in the audience of one of the panels I thought was possibly The BIGGEST trainwreck, actually said that most of what I told her about privately was not at all visible to the audience (which is good!) She had a great time and thought the panel was fun. The problem may just be me.

So, take everything below with a very large heaping of salt.

 
Saturday

My first panel on Saturday wasn't until 11:30 am and so Shawn and I did our usual alliterative errands. We went to the cardborad recycling place, the coffee shop and stopped for cardamom spinners at Brake Bread (yes, spelled like that. They are a drive-up and bicycle delivering--as in, home deliveries by bicycle--bakery, so it's the screeeeeeeech of braking suddenly that they are evoking, along with the pun on breaking bread, of course, I believe.)  But, so I got to have fancy coffee and fancy food before heading off to Bloomington and the convention.

My first panel of the day yesterday was the one I was most concerned about, "The Monkey King Travels West." While I was willing to name names in the previous post, I am going to be a little more circumspect in this post, since the person I had the most issues with will very likely be the one to decide if I'm on paneling again next year. 

I can't even say that the pre-panel chatter started well.

I was, at least, delighted to have Delia I. to my left and Anna W. to my right. CW: transphobia )

Because, once we got underway, I was still upset on Phoenix's behalf and on behalf of all the queer folks in the room (including myself) and so I was not really in the mood to try to follow the moderator's questions, some of which seemed a bit rambling and all over the place. Like, was this about the legendary figure of the Monkey King or was it about the cross-pollenation between Eastern media and Western and vice versa? The answer seemed to be [cue: meme] "Both! Why not both?"Which might have worked if the moderator had a better hypothesis, you know? Instead it was, as I said, disjointed at best and, of course, I was struggling to engage.  This moderator, too, has a tendency to hog the microphone, which is generally not considered best practices.

Let's just say I was happy when it was over and I fled.

Delia I. was hot on my heels. Delia had heard that there was a potato/taco bar in the GPS room happing RIGHT NOW, and so, having connected up with [personal profile] naomikritzer who was waiting for me outside the programming area, we all headed for much needed food and debriefing. We spent a huge amount of time in the GPS room, actually, talking to the various folks there and trying to build gummy LEGO vehicles from the packets they had available. Despite the picture above, mine was not successful in the room. We had all postulated that the gummies might work better if they were colder/stiffer, and that proved to be true of the leftover pack I took away with me--my fingers had been all over it, trying to build something (so, OF COURSE, I  had to take it home!) 

I ran off around 1 pm to meet up with one of my new pen pals, Roger P., who is actually in a gaming group with [personal profile] caffeine , who is someone else I had a tremendous amount of fun with spending time with at con (and getting to see pictures of the newest grandbaby!) Roger was not at con, so we met at a nearby (walkable) Caribou. Roger turned out to be just my sort, so we probably chatted for an hour or more? He brought a book that he wanted me to sign and so I did that. It was a nice break to get OUT of the con, too.

Surprisingly, Naomi was just where I left her so we continued to hang out there for much of the afternoon. We'd been thinking about going out to get Szechuan at a place Naomi loves and, in retrospect, I wish we had. We ended up having a great time in the hotel restraunt continuing our conversation with Aaron V G, but the service and the food were... iffy. Naomi and I both ordered the butternut squash ravioli, and this is what we got:


Mediocre food masquerading as froo-froo
Image: Mediocre food masquerading as froo-froo.

The dark droozle of stuff was, I think, supposed to be balsamic something or other, but, insted, tasted like something WAY too sweet. It was edible, but, honestly, only barely. We also lost our server for a long time (I did not even see her flitting about taking care of other people in the restaurant) and I had to flag down another server (who actually turned out to be the manager) and see if we could order more food, etc., etc. I mean, at least this I understand. The hotel probably had a lot of trouble getting people who wanted to work on the Saturday before Easter Sunday. And, I mean, no harm, really. Thank goodness I had HOURS before I needed to be at my 7 pm panel.

Even though I would have missed the company, I do think the two of us would have been better off at Szechuan. 

At some point in here, I also wandered the Dealer's Room and happened to stumble across the author of O Human Star, Blue Delliquanti. [personal profile] jiawen recommended this web comic to me and it is AMAZING (and made me cry the good tears.) I had an absolute fucking fan squee freak out to actually meet Blue in-person. I may have said something stupid like, "Wait, wait, YOU wrote THIS??" which, I mean, why else would someone be sitting behind a display of the graphic novel set? Anyway, I gushed pretty incoherently at Blue about their art and stories and then I absolutely blew the budget I was set by buying all three volumes of O Human Star and had them sign them. 

I was wearing my ConFABulous t-shirt and so Blue mentioned that they thought they might like to attend that con sometime, and so I gave them my pitch for Gaylaxicon which is what ConFABulous will be THIS year. I need to remember to follow-up today and make sure to have John T. or Don K. reach out to them.

I am sure I am missing a bunch of other stuff that happened in here, but now we move on to Disaster #2, "The Pitfalls and Benefits of Writing Humor."

We were down a moderator because the person who was supposed to take that role was, I believe, sick or otherwise unable to come to con. I was a little thrown at the beginning of the panel when Wesley suggested that the audience boo the missing panelist, but okay. We all joked that we should take turns moderating and so Wesley assigned himself the role of "the one who reads the panel description," and I assigned myself the role of "the person who suggests we all introduce ourselves and picks who we start with." This was mostly all fine (booing aside,) and then... somehow the Monkey King came to haunt me again.

Again I am going to be a little more circumspect about the panelist I am about to discuss because she is actually a very good friend of mine, who I think just misstepped BADLY. 

But, y'all, it was bad.

CW: micro-agressions and racism )

I have NO IDEA what my friend says to Wesley or how he takes it, because I am intercepting Wesley's liason to let him know that Wesley might need a STIFF DRINK after this panel and this would be why.

I had two more panels to go before I could go home

Again, however, I asked a friend of mine who was in the audience how this whole scene played out to her, and I think we were really lucky that the microphones in that room were kind of crap and I'm not sure how sure how much of it was heard by anyone but the panelists and the first few rows. My friend was seated in the middle and said she tuned out the whole Monkey King thing because she had no interest in any of that and so had no idea anything had really happened. 

After the debacle that was the Humor panel, I flagged down one of my fellow panelists, Ozgur, for the next one ("The Restaurant at the End of the Book," for which I am the moderator) and asked him if he would be willing to be a stealth co-moderator, There is one panelist that could be a problem, and I had seen that person at the bar, so 50/50 they were sober. So, I said to Ozgur that if I seem to be floundering to please jump in and help me wrestle the topic back to plumb. He agreed.

Thus armed, I went into the next one.

Turns out? This was the best panel I was on all weekend. The panelist I was worried about? A perfect addtion to the panel, extremely lively in all the right ways. We stayed on topic with only a few, very natural diversions into related topics, like the history of certain foods, etc. I think panelists were happy because I asked those that created recipes for their books to share them, and at the end, I made sure that anyone who had things they wanted to plug had the opportunity to do so. Ozgur never had to rescue me, and, more importantly, IT WAS FUN.

My last panel was "Who is Voting for Team Rocket?" and our moderator decided to take that literally and had a fun little part at the end where we voted on various villains in various catagories and whoever suggested them won a small figurine that she had picked up at the dollar store. This panel did not pop, but it also did not fail, so it slotted in nicely to the 'it was okay' set of panels. 

What a wild damn ride.

This is not my usual experience at Minicon at all. I am blaming the Monkey King, because clearly I have displeased him with my lack of knowledge. Hopefully a penance of several chapters of A Journey to the West will put my life's vibe back in order.
lydamorehouse: (??!!)
 ...Racism?

So, there I was at the bagel shop. It's a place I go to regularly enough that I know the names and life situations of several of the employees. We chat, like do you, about life, and one of the longtime employees there (someone I hugged when I found out her brother died) notices that I've gotten a haircut.  I happily take off my ball cap to show it off and start rambling, somewhat filterless because this is our first stop before I've even had coffee, and I start talking about how I might dye my hair.  I say that I've dyed my hair before. Then, I go on to blurt out this masterpiece: "My hair was blonder when I came up here to go to college and I looked around and saw that all Minnesotans are blond, so I dyed it black."

The second this ridiculous thing leaves my mouth I realize I'm the only white person in the room.

I have just said "ALL Minnesotans are blond," literally erasing everyone in that room, but my lily white self.

Wow.

Can I have a do-over, please?

I suspect I made things worse by clearly noticing my mistake, being so horrified that I don't try to apologize, but instead yammer on about other stupid things.  

I confessed all of this to my family in the car, of course. My plan is to try to apologize next week, and I will, but, damn it, the damage is done.

*I* was someone's micro-agression today.

Yippee.
lydamorehouse: (Default)
It seems that, lately, when science fiction writers gather, the conversation inevitably turns to race.

One of my fellow writers asked a question last night that I've been thinking about ever since: "Why can't science fiction be about JUST science fiction?"

My answer at the time was two fold. First off, science fiction has almost always been about people (there were some disagreements about that, of course,) but my second point was more personal. That is, that I have always been proud that science fiction has always been the genre of subversive ideas.

Unrelated to race, one of the first stories that I read that profoundly shook my world view was "A World Well Lost" by Theodore Sturgeon, published in 1953. I've talked about the effect that story had on my life in my blogs before, but, though it couldn't be called a happy, queer-romantic story by any means, I had my head blown off by the concept that gender roles / expectatoins, etc. are often projected, rather than innate (ie as in how one of the main characters thinks about the "lovebirds" until their same sex-ness is revealed.) Later, after discovering writers like Elizabeth A. Lynn, I realized science fiction and fantasy was awesome not only because it had the cool trappings I liked (as in spaceships and telepathic dragons), but also because I could see myeslf reflected there... even if I wasn't quite ready to claim my GLBT status.

More importantly, with the help of the authors I admired, I could see a future for myself... possibly even a better one.

I explained all this at Wyrdsmiths last night, and I think I made a compelling case, but something else occurred to me at home while I was falling asleep. One of the reasons race (or the absence of people of color) in the future is so important is because it says something about not only who we will become, who we want to be, but also WHO OWNS SCIENCE.

Any story written today with only white people in space suits is dishonest to the world as it exists today. China seems much more keen on its space program than we do in ours (and it's dishonest... or at least grossly inaccurate to imagine NASA is staffed only by white folks too.) Scientist and science goes beyond race and gender, but it comes from places and people... some of whom are often ignored or forgotten or silenced.

It's the same issue I have with "boy geniuses." I am so sick of that trope, I can hardly enjoy BIG BANG THEORY. I'd like to see some girl geniuses. I'd like to see some geniuses of color. Why? Because showing them in fiction make them easier to identify and nuture in real life. Because it's hard in my own life to say which came first: did I feel comfortable reading SF/F because it was a safe place to consider being gay, or did I first consider the idea that it might be okay to be gay while reading SF/F?

And in the end, I hope science fiction continues to be the genre of subversion, if you will. A genre where everyone can see a bit of themselves in the futures we imagine. I'd like to be some future generatoin's Theodore Sturgeon (oh, to be so lucky!), but even a relatively obscure Elizabeth A. Lynn to some teenage girl opening science fiction for the first time and seeing herself and her reality reflected in a future she wants to build.
lydamorehouse: (more cap)
I decided that the long walk that Mason and I have planned at the Minnesota River Valley Wildlife Preserve today is the same as jumping around at the gym for an hour this morning, so I decided to skip the whole gym thing. Besides, I'm getting disheartened. I can't seem to shed a single pound of fat. I've been eating really carefully and excercising like a fiend and the scale stays the same. I mean, I gave up drinking pop entirely. I eat my veggies. I cook from scratch nearly everything we eat. I feel like I've done about all I'm willing to do. Give up my high-calorie coffee drink? Screw that. I have to have one vice. And, besides, I have one cafe Vienna a day. It's not like I guzzle sixteen frappacinos a day.

sigh.

In other news, I just printed out the story I'm going to pass out at class tonight: "On Venus, Have We Got a Rabbi" (William Tenn) which is one of my all time favorites. It's the longest story I hand out, but it's also one of the most humorous. I think I may break with my syallabus and hand out "World Well Lost" by Theodore Sturgeon after that, since I'm kind of on my politically/ethnically themed stories right now. We're still having a semi-lively debate/discussion about race in SF/F on SF Novelists. A woman who identifies as a European African who grew up in South Africa during Apartheid has really moving response. We must have been posting at the same time, because I didn't see hers when I posted mine. Anyway, I think she's absolutely right. "Stock-standard" races and cultures have had their day in SF (and hopefully in American politics.)

Speaking of, I'm still incredibly nervous about the upcoming election. I even saved the ACLU's "protect our vote" phone number into my cell phone. I can't imagine that anything dire is going to happen here in Minnesota where we have paper ballots and a history of strong voter turn out, but... I don't know. This is such an important election. The good guys HAVE to win. It all makes me bite my nails.

In other news, Mason has been complaining of a stomach ache a lot at school. I don't know what to make of that. His teacher says it comes on after lunch and she's sent him to the nurse a number of times (although recently because he cried so hard he made himself hot... he apparently took a bite of snack before he was supposed to and completely freaked out -- he is desperate not to be a "bad" kid or get into trouble.) Which makes me wonder if it's stress. He never, ever complains of a stomach ache at home, and though he did get that stomach flu that went around, it seemed to pass (no joke intended) in a day. Of course, Shawn found an article in the New York Times about kids and kidney stones, which has me worried about that now. This is less hysterical than it might seem. Mason was born with a condition called "hydronephrosis," which is a fancy way of saying one of his kidneys doesn't drain properly. Stomach aches are something we need to worry about and kidney stones would be a real problem for him, particularly if they occured in his good kidney.

So... we're going to make a doctor's appointment for him, probably for some time early next week.

I'm off to go write now. Hey, for those of you who care... my plan to work as Tate one day, and as Lyda the next seems to be working out (knock on wood.) I'm making progress! Whoot.
lydamorehouse: (me)

As many of you know, I've had lots of rants here on this blog and my tate blogspot about this very thing: Why Writing Colorblind is Writing White (a rant) by Brutal Woman.

Her reaction is to something that John Scalzi said here.

I intentionally identify my characters by race. In the AngeLINK books by my alternate personality I describe Jibril as a black African Muslim. Mouse is Arabic and Muslim, and he's brown enough that Rebeckah (an Israeli born American) misidentifies him as an Indian from India. Michael is an olive-skinned Mediterranean (his surname identifies him as Italian) and Ariel is Asian, though I never identify which specific country. I did this in my science fiction particularly because the future is so very often shown to be the purview of white people (specifically white males).

But more than that it seems unrealistic. Sure Americans and Europeans seem to dominate the political and economic landscape currently (at least from where I'm sitting), but that certainly wasn't always the case. And it only makes sense to me, particularly given the tendency, shall we say, for the U.S. to mismanage its economy, that some other ethnic/political/economic group could rise to a similar kind of dominance given the passage of time.

But those are the kinds of things you think about when you write SF. When it came time to write the Garnetverse books, I could have not bothered with race. The stories are all set in the pastoral (though not entirely rural) Mid-West, and a person could make the case that there just aren't a lot of people of color living in Wisconsin. Except, of course, that's a lie -- or at the very least a gross misrepresentation. Thus, I consciously identify Izzy as black.

I think that Brutal Woman is absolutely right when she says that when you don't overtly point out that someone is a person of color, the default in the majority of readers' minds = white. It's even a problem when you *do* it subtly, as I argue with Elizabeth Bear in the interview I did with her for the Internet Review of Science Fiction.*

Subtly doesn't get us anywhere. People like to say that race doesn't matter, but I think it does. I've admitted to "the default" when talking to Bear, and my partner and I have had long conversations how sometimes our "racial programming" will work pretty hard to ignore clues if they're too subtle. (She never imagined Poohka from Emma Bull's WAR FOR THE OAKS as black despite Bull's fairly overt, "He looked like Prince.")

I don't know what else to make of that except to say that this is just a really long-winded way of saying, "right on, sister" to Brutal Woman.

* You need to subscribe to Internet Review of Science Fiction to read this, but its free.

Also, I've been bloggin' all over, so if you're interested you can check out:

"Beyond the Cloud of Negative Energy" at SF Novelists and Infernal Internal Editors at Wyrdsmiths.
lydamorehouse: (battlestar galatica)

…which is good since I’m scheduled to moderate a panel on whether or not BSG is feminist or not for WisCON.  I’m trying really hard not to decide the answer to this question since I’m officially supposed to be on the fence, but I can’t help but pay attention as I watch these last final episodes in the season (I’m catching up via a friend’s friend’s TiVo  [thanks Naomi!]– I don’t have cable.) 

 

Anyway, I just watched “Maelstrom,” which leaves me only three until the big finale. 

 

My favorite episode, so far, is “Dirty Jobs,” which is the one in which the Chief helps the refinery workers go on strike.  I’m a sucker for union/union organizing stories, probably because I’m one of those “academic class” people who grew up in a household that sang Wobbly songs on car trips.  My grandfather worked on the factory line at Trane Company until his retirement.  My father was the first in his family to go to college (although later his older sister did, as well – she’s been the president of the Wisconsin teacher’s union for years.)  The point is, even though I’ve only ever belonged to a couple of unions in my life – the commercial food unions, ASFME, and later, the National Writers Union – I’ve always had a soft spot for union and union heroes. 

 

The moment in “Dirty Jobs” when the Chief pulls the lever to stop production on the factory ship nearly brought tears to my eyes.  Plus, I loved that, though they didn’t drag out union negotiations (like they would have in real life), there were arrests and threats and all that jack that happens when the military and unions clash. 

 

Plus, it’s science fiction.  How often does class come up in SF?  More in written SF than in media, I think.  There was one episode of Babylon 5 in which there’s some talk about unions on strike on Mars (and maybe more, but my memory fails me.)  But, this episode on BSG had a class issue under the surface (yet overtly discussed by characters.)  I suspect they’ll drop whole class deal on BSG, like they do a lot of their storylines, but I’m going to hold out hope that they continue it.  Especially since I’m still deeply distressed how WHITE they are… we briefly had a black pilot, but he seems to have gone AWOL.  (And if memory serves, there’s even a black cylon, but he was only on the episode where Starbuck is impregnated.)  And, yes, yes, there’s Dee – but, shout if you will about tokenism, but one (communications officer no less, have we EVER seen that before?) doesn’t impress me much – especially given the preponderance of brown and black faces on the “Black Market” episode.  Seems when they need an underbelly for their future society they can hire a few actors of color.

 

But, I’m back on my BSG race rant, and I really meant to praise Caesar, not bury him.

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