Kaiju!

Jul. 24th, 2013 09:02 am
lydamorehouse: (more renji art)
My friend [livejournal.com profile] naomikritzer has a theory that the way "Inglorious Bastards" was pitched by Quentin Tarantino was that he was sitting around at a bar with a bunch of Hollywood types and started saying, "You know what never gets old? Killing Nazis!" I now have a similar image of Guillermo Del Toro selling "Pacific Rim" by saying, "You know what would make Gozilla better? Giant Robots!"

By happenstance I ended up going out with my movie buddies, [livejournal.com profile] seanmmurphy and Eleanor Arnason, to see "Pacific Rim" last night (in 2-D). I actually called Murphy last night to hear about his baking bread date with a five-year old and somehow in the course of that conversation I ended up on a movie date with my two movie besties.

I have no regrets.

Eleanor, I think, might have preferred to stay home and play Solitaire on her Kindle.

The fun of "Pacific Rim" can be summed up pretty simply: "There were monsters! There were robots! They fought!" I think Del Toro let you know that was the kind of film he was making in the ten minute introduction/montage at the very beginning where our big set up to the world of "Pacific Rim" was simply: alien monsters are coming out of a rift/wormhole in the bottom of the Pacific Ocean, we called them kaiju. We built giant robots to fight them. We got really good at killing the kaiju, and then suddenly things were different and it got harder...

That's all the plot of the entire movie, except like any good shonen action storyline: when things get harder, we FIGHT harder. The kaiju power up! Oh, no! We must power up! This cycle is on repeat until someone wins (hint: it's always us.)

If you go into this film expecting even ONE IOTA more than this, you're sure to be disappointed. Snappy dialogue? Nope. Amazing world-building? A little. As has been discussed on io9 and other places, there's some science in this fiction. The way that the robots are operated has a lot of fun world-building thinky-thoughts. Compelling characters? One: Mako Mori (played by Rinko Kikuchi), but she's not the main character--though, IMHO, she should have been, as her backstory is the most compelling AND her moment of honor and revenge is by far the more satisfying (and involves a sword!)

Like the original "Godzilla" import that Mason and I watched (see my review here: http://lyda222.livejournal.com/255084.html), "Pacific Rim" should really be about the Japanese character(s, in the case of the original.) The Western story feels a bit pasted on. That would be a weird intentional homage, so I have to simply assume that the bad storytelling was a mistake.

In fact, Eleanor argued that "Pacific Rim" was dull and could never be called a "good" film. I think we were arguing semantics last night because, for me, "Pacific Rim" was more fun than good. I had no expectations of good. (There were monsters! There were robots! They fought!) More to the point, a film like this can never be "good," though I thought it was tremendously fun (There were monsters! There were robots! They fought!) The visual effects were, sadly, occasionally muddy (it would have been AWESOME as Anime), but there were monsters....

You get the idea.

I would totally recommend the movie to any Godzilla fan. It you can shout out Gamera! or Mothra! with glee, this film is for you. If this....

godzilla2

...makes you unaccountably happy or brings back fond memories of late night movies as a kid, "Pacific Rim" is for you.

Because, there were monsters! There were robots! And they fought!
lydamorehouse: (Default)
Two things.

First, Mason and I watched "GODZILLA: King of Monsters" on Sunday night. It was Mason's first ever black-and-white show, and he was very weirded out by the lack of color. "Is it going to be like this through the whole thing?" he wanted to know after the credits. "Can we get this in color?" I, being a parent, felt compelled to regale him with "back in my day" stories of how I actually grew up with a black-and-white TV, which we kept well into the 1980s, which I watched while walking to school, up hill (both ways!), with wolves chasing me AND we had ONLY THREE CHANNELS... and we liked it!

But, what struck me about GODZILLA is how much untranslated Japanese is in that film. There are, in fact, several scenes in Japanese WITHOUT SUBTITLES. Then, of course, are the badly dubbed bits you all remember... where the heroine is clearly speaking Japanese and, instead, this ridiculously 1950s housewife's voice comes out of her mouth. Very strange.

What I'd also forgotten (never known?) was how awesome the story gets when we leave behind the stupid American, Steve Martin, and follow the story of the mad scientist, his fiancee, and her lover. Oh the angst! The mad scientist even gets an eyepatch (which goes very nicely with his white lab coat)!! The lover is a naval officer, but clearly of lower class origins. The fiancee is torn between duty and passion!! She should stay with the man that suits her class and station, or go against convention and marry the other, though low born, who is heroic and handsome!? Luckily, the scientist twigs to their secret affair after he tries to brain the lover who has come to ask for the secret formula in the name of the government, in order to destroy Godzilla. They get in a fight because the scientist hates that his invention is so horrible and destructive, in fact, he swore his fiancee to secrecy... but Godzilla's stomping of Toyko and the prayers of the children melt his hard heart! So he teams up with the lover, and makes a daring and cunning plan to go to the bottom of the ocean where Godzilla is sleeping and release his oxygen eating bomb! But Godzilla awakes. Someone must stay behind and release the bomb at just the right moment. Knowing that in Japan there is no other way out for the fiancee, the mad scientist sacrifices himself at the bottom of the ocean, and radios up to the lover, "You have my blessing. Be happy together."

Tears in my eyes!! Wow, the drama!

For a 1950s film in Japan, I have to say it had a lot of what I love about Anime in it. Cool monsters! Awesome superpowers -- Godzilla's freeze/exposive breath. Eye patchs! A wildly angsty story involving a love triangle, complete with rivals who have to work together in order to save the universe.

Though, I did have a moment where I yelled out "SEE! This is why we need better language tapes!" Early in the movie, when we're still following the stupid American, he's at customs. A friend helps him through, and I even understood a bit of the conversation in Japanese because it was almost verbatum from the language tape, except what happens?? I'll tell you what! "Could you step out of line for a moment, sir?"

I was all, "Vindicated!" And, then when Gozilla rose out of Toyko harbor I'm thinking, "if only I had the Japanese to express my horror at this moment!" If I could only say in Japanese, "What is that rising from Tokyo harbor?"

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