lydamorehouse: (nic & coffee)
Since I reported on some of what I read up north, I don't have a whole lot to report on today. I finished Network Effect by Martha Wells on audiobook, though, and have started another audio book I'm not sure I'll finish called The Moon Represents My Heart by Pim Wangtechawat. (The new one is feeling a little "literary." We'll see.) 

As I'm sure I've discussed previously, I'm on the programming committee for this year's Gaylaxicon. As part of that I've been trying to read as much as I can of the works of some of the GoHs (Nghi Vo, Emma Törzs, KD Edwards, and Jim Johnson.) I'm largely caught up on Vo and Törzs's novels and novellas, though I've been doing a bit of a deep dive into some of their short stories. This week I read:

By Törzs
"The Path of Water" (Uncanny, March 2022) 
"The Hungry Ones," (Uncanny, May 2021)
"From the Root" (Lightspeed, June 2018)

By Vo
"Stitched Into the Skin Like Family Is" (Uncanny, March 2024)

I'm off to the library now to see what they might have of KD Edward's The Tarot Sequence books. I am sad that Libby turned up no audio book, alas. But, so it goes. 

How about you? Reading anything fun? Anything terrible? Anything meh?
lydamorehouse: (Bazz-B)
So, of course, the book that took the Lambda Award in the SF/F/H category is the ONE I didn't read. (I'm hoping that now it's the winner I can talk the library into buying it.)

Speaking of my reading challenge, the Sunburst (Canadian spec fic award) long list has been announced:

Pastoral, Andre Alexis (Coach House)
The Broken Hours, Jaqueline Baker (Harper Canada)
The Troop, Nick Cutter (Pocket)
Consumed, David Cronenberg (Scribner)
Suffer the Children, Craig DiLouie (Simon & Schuster)
The First Principles of Dreaming, Beth Goobie (Second Story)
Head Full of Mountains, Brent Hayward (ChiZine)
Irregular Verbs, Matthew Johnson (ChiZine)
The Back of the Turtle, Thomas King (HarperCollins)
Gifts For the One Who Comes After, Helen Marshall (ChiZine)
Cloud, Eric McCormack (Penguin Canada)
Knife Fight and Other Struggles, David Nickle (ChiZine)
Emberton, Peter Norman (Douglas & McIntyre)
Lockstep, Karl Schroeder (Tor)
Cycling to Asylum, Su J. Sokol (Deux Volliers)
Silence For the Dead, Simone St. James (NAL)
Station Eleven, Emily St. John Mandel (Picador)
My Real Children, Jo Walton (Tor; Corsair)
Echopraxia, Peter Watts (Tor; Head of Zeus)
Will Starling, Ian Weir (Goose Lane)

So... yeah, we'll see how many of those I can find. I'm still in line at Roseville for Station Eleven, which has shown up on a ton of these lists. I just finished Walton's My Real Children and should write something up about that before I forget all my feels about it.

Anyway, today I got very little done because I was very distractible. I blame Leben, our arborist. Technically, he's not ours, but works for Rainbow Trees. But, we've been using Leben for fifteen years or nearly so to take care of our trees. He's entirely responsible for the survival of the big pine in front of our house. He's been carefully shaping Ella's tree since we planted it. I'm quite fond of Leben because I firmly believe that every profession and hobby has its geeks, and Leben is a TREE GEEK, which automatically makes him one of my people.

When we very first met him, he sat on our front stoop and enthused about our trees. In the middle of all this, he jumped up and said, "Do you want to see a cool insect?!" Of course we said yes. He showed us a treehopper and, frankly, we knew right then we'd be using his services until the day he left that company and then we'd follow him to wherever he worked next. Luckily for us for he's stayed at Rainbow.

Today, he was completely enthusiastic about the new grass I've carefully tended and grown under our front yard maple and then nonjudgmental about the junk trees in the backyard. I continue to be a very happy customer.
lydamorehouse: (ichigo being adorbs)
Here's another list for me:

Broken Monsters, Lauren Beukes (Mulholland)
The Lesser Dead, Christopher Buehlman (Berkley)
The Unquiet House, Alison Littlewood (Jo Fletcher)
Bird Box, Josh Malerman (Ecco)
Confessions, Kanae Minato (Mulholland)
Annihilation, Jeff VanderMeer (FSG Originals)

These are the Shirley Jackson Award nominees. As Locus Magazine explains, this award is for "... outstanding achievement in horror, psychological suspense, and dark fantasy fiction. "

I think, too, this will help me decide what to review today. I usually have my reviews in to Bitter Empire by Sunday morning, but this weekend was surprisingly busy. I had my usual three hour shift at North St. Paul library and Mason attended the Teen Lit Con. My Mother's Day gift to Shawn was to take her fabric shopping and NOT COMPLAIN, which I managed on Saturday morning, as well. It was nice weather on Saturday, too, so I did a little light gardening, too--finally getting some things in the ground that we'd ordered. On Sunday, what Shawn said she wanted was food. So, I made her blueberry bread pudding for breakfast and then we spent most of the afternoon and evening making fleischkuechle - an ethnic food of Shawn's family (Germans from Russia.) We thought to only make two batches, which would have been a couple of hours work, but ended up with over a hundred some how and so we prepared and fried from 1 pm to 7 pm.

A little longer than either of us really wanted.

BUT the results are tasty, and now we have a stockpile for the freezer.

So, at any rate, I need to settle in and write up a review of Annihilation, I think. I'm not sure how much I should talk about this in that, but Annihilation is the only book up for the Nebula this year that I made it all the way through.

I got well over 100 pages into both Three-Body Problem and Ancillary Sword, but I gave up on both of them because I found myself caring less for the main characters. Both of those novels are very idea-driven, which is fine, but I just had no emotional investment whatsoever and when you start looking at how much of the book you have left with trepidation, I thought: nope, I'm done. Plus, no spoilers, but when I finally found a character that I liked in Ancillary Sword, they didn't last.

I tried Coming Home, (and Shawn shakes her head at me about this because Jack McDevitt is one of her all time favorite SF authors and I've had diner with the guy and he's AWESOME), but I just bounce out of almost every one of his books for some reason -- maybe because it's a long-running series? I'm not sure, because Shawn has them all and has tried, repeatedly, to get me to read them. I guess it's just one of those things.

The other Nebula nominee, Trial by Fire, I have upstairs and I started it.... and it's okay. It's just very hardcore military SF which I wasn't entirely in the mood for when I started it. I haven't sent it back yet, so I may still get through that one. I often really enjoy military SF, so I don't think that's necessarily the reason. Do you have this problem? Where you have to be in the right mood for a certain TYPE of book?

At any rate, I ripped through Annihilation like it was cotton candy. That surprised me because it is very psychological and atmospheric (not always my normal fave) and, in places, difficult. I have, in the past, not gotten very far into VanderMeer's works before. *whispers*He's one of those 'it' kids that I have to confess being predisposed AGAINST because of straight-up envy*/whispers* But I really ended up enjoying this book.

I'll see where I end up going with this review. The other thing I may end up talking about is the fact that I've heard rumors that the next target the Sad Puppies might have is the Nebula, which I think will be a far harder nut for them to crack because membership is actually fairly difficult to obtain. (And the Nebula, if you didn't know, is nominated and voted on SOLEY by the members of the Science Fiction Writers of America.)

So, lots of directions.

Right, I should go do that then.
lydamorehouse: (Default)
I have so many books out from the library for my award-nominee challenge right now, that I stopped to take inventory and found one I could NOT find on my lists.

OTHERBOUND by Corrine Duyvis

So I tried Googling the title and "award" and got a bunch of hits, but nothing I was expecting. Then I see that there's a Bi Writer's Association that gives out a spec fic category award and this book (along with others are up for it.)

Bisexual Speculative Fiction [Sci-fi/Fantasy/Horror]

Capricious: A Texan Tale of Love and Magic by Julie Cox, Circlet Press
Climbing the Date Palm by Shira Glassman, Prizm Books/Torquere Press
Otherbound by Corinne Duyvis, Amulet/Abrams
The Pendragon Legacy [Book 1-Sons of Camelot series] by Sarah Luddington, Mirador Publishing
That Door is a Mischief by Alex Jeffers, Lethe Press

So... now I have these to add, if I want to. But, I finally figured out where the title came from. Otherbound had been on the Locus recommended reading list for debut authors and I'd jotted it down back WHEN I DIDN'T HAVE A THOUSAND OTHER TITLES TO READ. So, I guess I could still read it since I found an award for it....

:-)

(I may have a book hoarding problem.)
lydamorehouse: (crazy eyed Renji)
Actually, I'm very happy to see the Locus Award list for debut authors because I read a bunch of these already and had had no good reason to review them!

Elysium, Jennifer Marie Brissett (Aqueduct)
A Darkling Sea, James L. Cambias (Tor) <-- YAY, loved this book!
The Clockwork Dagger, Beth Cato (Harper Voyager)
The Memory Garden, Mary Rickert (Sourcebooks Landmark) <-- Yay, read this one!
The Emperor’s Blades, Brian Staveley (Tor; Tor UK)
lydamorehouse: (Default)
You can not even imagine the huge pile of library books on my piano. Actually, you probably can because you're probably a voracious reader. But, for me, it's almost overwhelming.

And now I have more to try to hunt down:

The Seiun Award (aka "the Japanese Hugo") for best SF in translation (I will be reading them in English.):

Pathfinder, Orson Scott Card, translated by Naoya Nakahara (Hayakawa)
Ready Player One, Ernest Cline, translated by Makiko Ikeda (SB Creative)
The Dervish House, Ian McDonald, translated by Masaya Shimokusu (Tokyo Sogensha)
Redshirts, John Scalzi, translated by Masayuki Uchida (Hayakawa)
Among Others, Jo Walton, translated by Takeshi Mogi (Tokyo Sogensha)
The Martian, Andy Weir, translated by Kazuko Onoda (Hayakawa)

And the award that I would have thought that the SP/RP's would have coveted more than the Hugo, the Prometheus (The Libertarian Futurist Society award honoring pro-freedom works published in 2014. It's even handed out at WorldCON, I kid you not.)

The Three-Body Problem, Liu Cixin (Tor)
Raising Steam, Terry Pratchett (Doubleday)
A Better World, Marcus Sakey (Thomas & Mercer)
Influx, Daniel Suarez (Dutton)
lydamorehouse: (ichigo being adorbs)
This weekend, the only thing I had 'on' was a Loft "First Pages" at Maplewood Library at 2:00 pm on Saturday. I was meant to be facilitating "Novel Writing for Teens." At last count, they had seven students signed up.

And... it was so gorgeous outside that not a SINGLE SOUL showed up.

I would feel bad about it, but this is fairly typical for these Loft First Pages, in my experience. I don't know if other instructors have an easier time getting warm bodies to fill chairs, but I have had zero luck. I think the MOST successful one had, maybe, three students? Talking a little to the teen librarian at Maplewood, we decided that a big part of it is that it's generally hard to get teenagers to make a concerted effort to come to an event like this (which is to say, free and of unknown value,) especially given all the other choices available (or required, ala soccer or what-have-you.) Add on top of that one of the first truly spectacular days of spring?

Yeah, I'm not surprised no one came.

I get paid regardless. The whole idea of "First Pages," actually, is that they're meant to be drop-in and casual. I'm supposed to be ready to facilitate (notice my careful avoidance of the words teach or instruct) anywhere from ten to one participants. They specifically chose facilitators who are flexible and ready to offer any kind of help/lecture/prompts, etc. So, if I sit there for 90 minutes and chat with the librarian, so be it. The whole idea is that if someone wanders in with 3 minutes to spare, I give them whatever they might need in that time. The Loft only asks that I'm there and that I'm ready for whoever shows and whatever they want to talk about.

Plus, the librarian I chatted with on Saturday is THE person who is responsible for Maplewood's extraordinary graphic novel, comic book, and manga collection. So, we had things to natter on at each other about, no problem!

Then Sunday was gray and rainy and a perfect day to cuddle up and read. I finished a book I really enjoyed called A DARKLING SEA by James L. Cambias. I found this book on the Locus Award's long list in the debut author section. The story takes place on an alien planet where the life there is a lot like the things they've found here at the deep ocean depths--volcanic vents that support huge colonies of life. Human are there doing research and things go off the tracks pretty early and soon enough there's first contact with the natives *and* then the arrival of a third alien race that we'd previously made contact with who are unhappy with our "meddling."

It's a quick read, too.

Now I'm about a hundred pages into PEOPLE IN THE TREES by Hanya Yanagihara, which I'm also finding really gripping. This one is a written as though it's a biography of a famous scientist, complete with a forward and footnotes. I chose to read this one first because it's the one due back at the library soonest, plus it's also one of the ones that was up for a Kitschie and I seem to be going through those for Bitter Empire.

I also bounced out of LAGOON by Nnedi Okorafor after about 30 pages. In this book, Okorafor does a lot of what I'd call "head-hopping" (where the narrative switches p.o.v. without any obvious transition or other signaling, like a space break, etc.) and I got lost really quickly. Plus, I felt a little robbed when one of the major events (alien contact??) was glossed over and told in disjointed flashbacks (little one-liners from various p.o.v. characters). So I felt really unanchored, like I was just floating through the story without any sense of who I should care about or why. So, I set it aside. I might or might not give it another try later. It's probably just a style issue, but I've given up on other books in this challenge, some of them much further in, like Ann Leckie's ANCILLARY SWORD. (Interestingly, I bounced out of MOST of the books up for the Nebula this year.)

I'm not sure what to do about the books that I bounce out of, but since I'm doing this mostly for myself, I've been trying to give the books I read a "fair" chance to grip me. I arbitrarily decided to give most books 50 pages. I didn't quite make that with LAGOON, but I also gave up on GOBLIN EMPEROR after only about 20 or 25 pages (that one was just too high fantasy for me.)

Honestly? I feel a little guilty admitting to giving up on books, especially books I've challenged myself to try to read. But, the truth is, I'm actually a slow reader due to my dyslexia. Because it's hard for me to read, if I'm not INTO a book, I slow down exponentially. I COULD push my way through some of these books, but I think it would be at the detriment to how many books I'll be able to read and finish this year (and possibly massive library overdue fines!) I don't know that the number of books I get read is really all that important, but I also don't really intend to review anything I didn't finish.... so... I dunno.

Some of these books, I could return to. And maybe I will. But I might as well read the ones that grip me first. I feel like, at least, I'm getting a good sampling of what's out there and up for awards, and some books I gave a hundred or more pages--I gave up on both ANCILLARY SWORD and THREE-BODY PROBLEM well after 100 pages. I kept going with both of those because, particularly Leckie, is up for SO MANY awards and THREE-BODY PROBLEM is that book that everyone is talking about. (I dropped out of both those books, interestingly, because I just didn't care that much. The authors failed to give me a human/heart to hang on to, and I'm just not an idea-driven reader. I need to have some reason to care beyond 'whiz-bang.' And, I'm very fond of whiz-bang, as I read a lot of graphic novels/comic books/manga. But trust me, all the ones of those I love also have a human core--I don't need much, just something or someone whose story affects me.)

At any rate, I thought I'd confess all that here. Forgive me, Reader, for I have sinned...
lydamorehouse: (Bazz-B)
I've been trying to keep a running list of the various awards that I'm reading from here, and I've neglected to mention the books that made the Arthur C. Clarke short list:

The Girl With All The Gifts, M.R. Carey (Orbit)
The Book Of Strange New Things, Michel Faber (Canongate)
Europe In Autumn, Dave Hutchinson (Solaris)
Memory Of Water, Emmi Itäranta (HarperVoyager)
The First Fifteen Lives Of Harry August, Claire North (Orbit)
Station Eleven, Emily St. John Mandel (Picador)

Romantic Times Reader's choice just announced their winners:

Valley of Fires, J. Barton Mitchell
My Real Children Jo Walton
The Widow's House Daniel Abraham
Daring Elliot James

In other, far more mundane news, I have a stomach bug. It's nothing terribly serious although I slept away all of Sunday and have been having stupidly painful stomach cramps and far too many trips to the bathroom. The weird thing is that mentally, I feel fine. I just have to spend a lot of the day hovering close to a toilet.

Pepto-Bismol has done WONDERS for the cramps.

As for the rest, I've been sucking on Pediolyte pops that we bought some time ago (maybe for Mason, but Shawn likes them better than drinking that stuff, too.) I just went to Walgreens and got unflavored Pediolyte to drink (man, is that stuff gross.) No coffee for me. All BRAT all the time. I'm eating B=banana right now.

Man, I want this to go away.
lydamorehouse: (ticked off Ichigo)
The novels I'll be reading as part of my personal challenge to read all of the spec fic award nominees now includes:

Ancillary Sword, Ann Leckie (Orbit US/Orbit UK)
The Dark Between the Stars, Kevin J. Anderson (Tor Books)
The Goblin Emperor, Katherine Addison (Sarah Monette) (Tor Books)
Lines of Departure, Marko Kloos (47North)
Skin Game, Jim Butcher (Roc Books)

If you haven't heard, there was a bit of a kerfluffle around this year's nominees. There has been a lot of reaction. Including, a detailed blog from someone who has declined their nomination. What is particularly egregious about this mess is that apparently these self-proclaimed "Sad Puppies" invited the yahoos from #GamerGate to crash the Hugos.

My personal response to this is go out an buy a supporting (i.e. voting) membership for the Hugo's. It's $40.00, which isn't cheap, but it means I can vote down some of the categories where it is clear that the entire category has been jiggered. If you are a voting member (or would like to become one), there is a "Puppy Free Hugo Award Voter's Guide" for you.

That being said, if you go to the voter's guide, you'll see there were several areas--including graphic novel--that were left untouched by this brouhaha.

The other advantage to my strategy is that the way that the memberships to the Hugo's work is that they are good for TWO YEARS. So, if people don't join now, the so-called "Sad Puppies" will have their way again, next year.

Despite advocating everyone go out and buy a membership now, I want to say that NORMALLY I'm NOT in favor of politicizing this process. Yes, there have always been politics involved to one degree or another, but one of the reasons I did not have a WorldCon membership previous to this weekend is that I actually believe that the Hugo should be nominated and voted on by those ATTENDING WorldCon. I think the idea of a supporting membership is a bad idea, because, in many ways, this is precisely the behavior it encourages (i.e. signing-up just to vote for your friends). The only times I've ever voted on or nominated for Hugo's are the years I went (and the years after, since the attending memberships are ALSO good for two years of voting.)

But trolling for help for your cause from the ranks of the GamerGate a$$holes? Not cool. Those are people who have doxxed and threatened women with rape and death. If you read the super-long blog from the person who declined the nomination this year, you can read some of the philosophy behind the Sad Puppy movement. The idea that SF should be fun and readable is one I might have agreed with (though how this has anything to do with race, creed, color, social economic class, sexual orientation, ability or gender, I've no idea), but WTF. That does NOT seem to be the real agenda here. Not if it appeals to the GamerGate folks. Moreover, if it were, these puppy-types would be happy with a lot of the previous award nominees/winners. There's nothing about any of Lois McMaster Bujold's books, for instance, that I think anyone, anywhere would label as literary naval-gazing.

Now, I'm about to go on record saying that even I have a tendency to shy away from anything touted on NPR as awesome science fiction (my review of THE GIRL IN THE ROAD is going to hit this idea.) But, I will also go on record saying, that pushing myself to read it, made me realize that I would have otherwise missed AN EXTREMELY AWESOME BOOK (which, btw, just won the James Tiptree, Jr. award.)

I probably wouldn't have picked it up on my own.

Awards can do this for a reader. This is exactly why I set this personal challenge for myself: I wanted to see a broader range of what the field had to offer. Thus, despite the abject ugliness of this current situation, I will be reading all the books nominated for the Hugo.

The worst part is that I'm absolutely sure Jim Butcher and Kevin J. Anderson write a good book. But I'm not sure how I can, in good consciousness, vote for them now. Perhaps my solution will be to write them a nice review for Bitter Empire. Maybe I'll cast a vote for one of them, if they're really that awesome.

I wish, however, I didn't have to feel gross about myself if I do end up loving one of those books. This is where I think the puppies have done a huge disservice to themselves. Kevin J. Anderson is a super-nice guy. I've been in an anthology with Jim Butcher. But thanks to polluting the water with the likes of the GamerGate thugs, I'm never going to be able to look at them the same way. I'm damn sure I'm not alone in this feeling.

That's a sh*tty way to treat authors you supposedly love.
lydamorehouse: (Default)
I've been at Anime Detour and will post pictures and stories soon. But, honestly, I'm just trying to decompress. Detour is HUGE and jostling. Even an extrovert like me is overwhelmed when there are so many people that you can hardly go from point a to point b without getting accidentally touched by a hundred people. (Not much of an exaggeration, alas.)

But I had a lovely time and Mason's cosplay was fairly perfect.
lydamorehouse: (ichigo adorkable)
We've been teasing poor Mason that he needs to have one of those billboards like they do at industrial sites that say: "___ days accident free." So, today, as I dropped him off he waved me away with a cheerful, "One week accident free!"

My poor baby.

Around my household, we refer to these random stumbles, etc., as: nerdspasms. As I told Mason, he comes by it honestly (though possibly via osmosis), as I have a long and sordid history of such events. In my youth, I had been known to just fall while looking up at something in a tree or once, while stopped, I fell off my bike.

While.

Stopped.

We won't even talk about the time I was reading while riding my bike and hit a parked car. (The book was Go Ask Alice).

Speaking of books and accidents, it seems I briefly roiled up the whole discussion about Tempest's reading challenge on Facebook again. My friend and fellow Philip K. Dick award nominee, Minister Faust, is doing a podcast these days and he linked me to his latest, wherein he interviews Ms. Bradford about the reaction she got to her reading challenge.

OMG.

Instantly again.

I've been thinking about this on a more immediate level, because one of the things that Faust and Bradford discussed on the podcast (which is quite good, btw) is WHY does this happen. There are more and more articles appearing about why is it that people instantly freak out in discussions of race, gender, ability, and orientation that happen on the Internet.

In a seemingly unrelated note, I mentioned something innocuous about peanuts on my Facebook feed yesterday as well, and the VERY FIRST RESPONSE was someone admonishing my food choices as decidedly inorganic and politically fraught. Likewise, several months ago I made what I thought was a completely uncontroversial mention of mulching and I got several unasked for SCREEDS about how my mulch choices WERE KILLING ALL THE PUPPIES (that is only a slight exaggeration, seriously.) One person was so upset by the mulch I used that she wasn't satisfied just making her point on my FB feed, but also followed me on to my private message box and tried to continue the fight there.

Mulch.

Which, I think we can all agree is, ultimately, NOT AS PERSONAL as race, gender or orientation...

I've been thinking that, while there are obviously bigger, deeper social-economic/privilege-related issues going on in these discussions, people who use social media frequently, who are not even trying to say provocative things, often get inundated, seemingly constantly (because even when it happens once, it makes a very powerful, personal impact), with these kinds of finger-shakes from strangers. ("Damn it, I just wanted to say how much I loved my peanut butter!")

So there's that picture of Tempest. She's literally shaking her finger at us, the viewer of the picture, and bam! Everything goes down in the flame-y-est flame war in the history of flames.

I mean, yes, of course, a huge percentage of the reaction is from people who really need the rug of comfort/privilege yanked out from under them, but I think there's another percentage who are just unable to cope with finger-shaking without taking it personally. ("But I'm doing my best!" "Peanut butter is yummy!") And, I think even the best of us falls prey to that easily and our initial reaction is some kind of preschooler, "Nyuh-nuh! AM NOT."

I can't even tell you how many people on my feed started their reaction to my posting the podcast interview with, "Well, I haven't listened yet, BUT...."

It was the same when she posted her first article. Most people reacted without reading (honestly, also without thinking.) Kudos to Neil Gaiman who very publicly tweeted that he didn't care if they used him as a poster boy for successful white men. In fact, he encouraged it. He also implied that he could weather this "storm" because, frankly, he *is* a successful white man who is secure enough to let any one who wanted to read other books for a year. Thank you, anyway, but he was going to be fine.

We're all going to be fine.

Thing is, more people who buy books, the better it is for EVERYONE.

Yes, the economy is sucky for booksellers. Yes, as a writer, it's f*cking hard to sell books no matter who you are or what you write. But that's because people aren't buying books. Not because Tempest encouraging people to READ.

Also, it *is* possible not to take finger-shaking personally. It's hard. I can not tell you how IRRITATED I was by the mulch discussion on my FB feed because: OMG.

But the one thing I've learned from my time on the Inter-webs is that the more you let yourself react without thinking, the more you look like a dick. That's not to say you can't say what you feel, but take a breath before hitting "send." Seriously. Or go back and say, like I had to during the first giant discussion that erupted on my FB feed over this challenge, "Mea culpa. That was unnecessarily inflammatory. I mean what I said, but I didn't have to say it that way. I'm sorry."

Of course this is easy to say. So much harder to do. Especially since social media is all about call and response and instant gratification.

Okay, I'm going to shut up about this myself, because it's super-easy to get a rant on. I can't go to bed yet, someone is wrong on the Internet.

In other (but related) news, I finished CHILD OF THE HIDDEN SEA by A. M. Dellamonica (up for a Lambda in the SF/F/H category) and am on to GRASSHOPPER JUNGLE by the currently controversial Andrew Smith.
lydamorehouse: (Default)
The shortlist for the 2015 Norma K. Hemming Award has been announced. The Hemming Award is presented by the Australian Science Fiction Foundation (ASFF) to “mark excellence in the exploration of themes of race, gender, sexuality, class and disability in speculative fiction first published either in Australia or by an Australian citizen.”

The Female Factory, Lisa L. Hannett & Angela Slatter (Twelfth Planet Press)
Razorhurst, Justine Larbalestier (Allen & Unwin)
Nil By Mouth, LynC (Satalyte)
The Wonders, Paddy O’Reilly (Affirm)
North Star Guide Me Home, Jo Spurrier (HarperVoyager)


Also... The first YA Book Prize winner has been announced, presented by the Bookseller.

The winner, and nominees of genre interest, are:

Only Ever Yours, Louise O’Neill (Quercus)
A Song for Ella Grey, David Almond (Hodder Children’s Books)
Say Her Name, James Dawson (Hot Key Books)
Half Bad, Sally Green (Penguin)
The Ghosts of Heaven, Marcus Sedgwick (Orion)
lydamorehouse: (Default)
I don't know if I should include these or not, but the WINNERS (and nominees) of the Kitchies were announced. So, like a lot of the books on my list, they were published last year, but are this year's winner? I guess, if I wait, I'd have to wait until this time NEXT year, so maybe...?

Anyway here they are:

The Red Tentacle (Novel)

Grasshopper Jungle, Andrew Smith (Egmont)
The Race, Nina Allen (NewCon)
The Peripheral, William Gibson (Viking)
Lagoon, Nnedi Okorafor (Hodder & Stoughton)
The Way Inn, Will Wiles (4th Estate)


The Golden Tentacle (Debut)

Viper Wine, Hermione Eyre (Jonathan Cape)
The Girl in the Road, Monica Byrne (Blackfriars)
The Long Way to a Small, Angry Planet, Becky Chambers (self-published)
Memory of Water, Emmi Itäranta (HarperCollins)
The People in the Trees, Hanya Yanagihara (Atlantic)

I also missed an earlier announcement of the BSFA (British Science Fiction Association)'s nominees:

The Race, Nina Allan (Newcon)
Cuckoo Song, Frances Hardinge (Macmillan)
Europe in Autumn, Dave Hutchinson (Solaris)
Wolves, Simon Ings (Gollancz)
Ancillary Sword, Anne Leckie (Orbit)
The First Fifteen Lives of Harry August, Claire North (Orbit)
Lagoon, Nnedi Okorafor (Hodder)
The Moon King, Neil Williamson (Newcon)

... I don't think I'm going to run out of things to read any time soon....

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